American soccer icon Alexi Lalas dishes on Russia, the World Cup, and his favorite soccer film

Alexi Lalas (wearing the dark blue tie) in Fox's World Cup studio in Red Square, Moscow.

Alexi Lalas (wearing the dark blue tie) in Fox's World Cup studio in Red Square, Moscow.

Former U.S. Men’s National Team star Alexi Lalas has seen the beautiful game from all angles: the field as a player for more than 10 years, the board room as the former GM of three MLS clubs, and currently the broadcast booth as a soccer analyst for Fox Sports.

These days, Lalas is busy with Fox's broadcast of the 2018 World Cup in Russia. You'd be hard-pressed to find a soccer fan who hasn't seen him in the studio with the network's other soccer experts. He seems to be on every minute, every day! 

Kicking & Screening’s Gillian Kemmerer recently sat down with Lalas in Fox's Red Square studio to speak about his experiences in Russia so far, his hopes for the 2026 World Cup in North America, and, of course, his favorite soccer film.

K+S: You’ve prepared for World Cups both as a player and as a broadcaster. How are the processes similar?

LALAS: There are similarities in the need to be able to distill things down to their essence, and not waste time, resources and energy doing things that you are never going to use. As a player you try to prepare for all possibilities, and your ability to react is part of the skillset you need for both. From the television standpoint, you do all of this work, research, and have all of this data, and what ends up happening is what I call the “iceberg theory” — where only the tip of the iceberg actually makes it on air. In order to have quality, you have to have all of the other foundations; that’s what gives you perspective, and that’s what gives you depth. You have a lot to get done, but it’s doing research on a game that I really love.

K+S: What has Russia gotten right, and what could have they have done better?

LALAS: There’s nothing I’ve seen that they’ve really gotten wrong…there’s a lot of traffic, but everybody understands that. So far, all of the travel stories have been good. The crowds have been wonderful, and they have been big.

I’m a child of the '70s and '80s growing up in suburban Detroit. We were talking about it back then, and we’re still talking about it now: “big, bad Russia.” It’s a place I had never been before, so it has been really interesting for me to see it through the lens of the World Cup, but also to compare and contrast and confirm or deny those preconceived notions that we all have about the country. At least initially, it has been wonderful. Some of it’s stereotypical, but I think there’s a recognition that this is their advertisement to the world, and many are on their best behavior.

Generally everyone has been friendly—and yes, some of those stereotypes that we have about the Russian attitude, you can find—but they are really using the World Cup to their advantage to put the best face of their country out to the world.

Lalas (standing, left) watches the Nigeria-Iceland match in Fox's World Cup studio with host Rob Stone (seated at the desk on the right).

Lalas (standing, left) watches the Nigeria-Iceland match in Fox's World Cup studio with host Rob Stone (seated at the desk on the right).

K+S: We knew coming into the World Cup that the U.S.'s failure to qualify would be a headwind for Fox. In light of this, how are you benchmarking success?

LALAS: It would be disingenuous for me or anybody to say that [the USMNT's absence] doesn’t matter. It does matter, and it’s not something that we wanted or that we planned for. When it happened, we all looked around and said “that sucks.” But the business of broadcasting is exactly that — a business, a responsibility to deliver. You want to live up to what others have done in the past. I’m proud of the fact that I was part of the [2014] ESPN team that broadcasted. I want to live up to that, but also I want to surpass that and do it the Fox way.

The other part is, I don’t think there’s another country that is better equipped to deal with a World Cup that doesn’t have the home team than the United States because of our incredible diversity. The soccer culture in the U.S. is passionate, it’s discerning. I would argue that it’s one of the most educated because it’s had to be. It’s no longer niche and underground, it’s well above-ground…and I think you’re seeing it really beat its chest this summer, whether it’s the numbers that we’ve had or just the response.

The time zone isn’t easy, and the fact that the U.S. isn’t here isn’t easy, but those are all excuses. At least initially, it’s been wonderful the response that we’ve had.

K+S: Speaking of American soccer culture, how has the U.S. fan base changed since your playing days? Has it become more demanding of you?

LALAS: I think so. I think that there has been an evolution and a continued education—and that’s a good thing. We have a unique soccer culture that doesn’t exist elsewhere because of the fact that we aren’t necessarily a soccer-first country with all the competition from other sports. We are a young country, and very different in how we approach sports in general. We’ve created this unique version of the game both on and off the field, and I think we take real ownership of that.

We can be hard on ourselves and we have an inferiority complex sometimes, but I think we need to pat ourselves on the back for what we have because it has been special. And the speed at which it has grown —multiple generations that define themselves through this game, but specifically through the American game: how they talk, how they dress, the games that they play—is remarkable. It’s a unique culture that I remain incredibly proud of.

K+S: In eight years, this culture you’ve described will have quite the spotlight shown on it. How much will the anticipation of hosting the 2026 World Cup impact U.S. soccer?

LALAS: This is a great thing for us as a soccer-playing nation. And for the actual team that will play there, it’s a great beacon to go toward. I was on this set when that announcement was made, and it really hit me because I started to think of what ’94 did for me individually, what it did for the sport -- and it will do it again, but in a different way for the 2026 version of the U.S., Canada and Mexico. It will be special. I know how seminal that moment was for us in 1994.

K+S: When we are all devastated with post-World Cup blues, which soccer film would be on your must-watch list this summer?

LALAS: I grew up watching Victory. And that was really something for an American growing up in the '70s in the suburbs. But it still remains a classic soccer movie. It was an incredible balance that they were able to have—a sports movie based around the World War II concentration camps. That was ballsy to be able to do that, and to make it work.

I don’t think that the ultimate and defining soccer movie from an American perspective has been made yet. I’m not talking about documentaries — I mean a feature that is based on some story that speaks to the culture that we’ve been talking about. The trick, as you know with any movie, is to make it so good that you don’t have to know a damn thing about the game to enjoy it. And not everyone is able to accomplish that, but there’s a sweet spot where you make a film that while based on a sport, you don’t have to know about it to fall in love with it. There’s an American soccer movie out there to be made.

K+S: I think you just threw down the gauntlet to America’s filmmakers for next year’s festival.

LALAS: Do it, I’ll promote it! But only if they give me a role.

Lalas (left) and our woman in Russia, Gillian Kemmerer, in Moscow's famous Red Square.

Lalas (left) and our woman in Russia, Gillian Kemmerer, in Moscow's famous Red Square.

11 great World Cup films from across the globe

Over the years, we've shown a lot of great World Cup-related films at K+S Soccer Film Festivals. With the World Cup kicking off in Russia, we thought we'd share 14 of our favorites.

Zinedine Zidane, during downtime with France in 1998

Zinedine Zidane, during downtime with France in 1998

Les Yeux dans Les Bleus | Director Stephane Meunier tells the inside story of France's 1998 World Cup triumph, with amazing access and all the drama of a team of superstars, including Zidane, Henry, Deschamps, Desailly, and Djorkaeff. Les Yeux holds a special place in our hearts: It opened our very first festival in 2009.

The Game of Their Lives | Made by longtime K+S friend Daniel Gordon, who also directed the last two World Cup recap films for FIFA, this documentary recounts the story of North Korea's only World Cup appearance, in 1966. Gordon goes to North Korea to find some of the players from the team that charmed British fans and famously upset Italy.

USSR vs. Poland, Camp Nou, Barcelona, in 1982

USSR vs. Poland, Camp Nou, Barcelona, in 1982

Mundial: The Highest Stakes Winner of the 2013 Golden Whistle, Michal Bielawski's documentary explores the intrigue surrounding the Polish national team at the 1982 World Cup while Poland was under martial law.

90 Minutes: The World Cup of New York City | Perhaps no city experiences the World Cup like New York -- because every nation is represented the Big Apple. This great little film follows fans in NYC as they cheer on their homelands or heritages at the 2010 World Cup.   

The Miracle of Berne | Two intertwined narratives -- one of the German national team competing in Switzerland, one of a stern German man whose son just wants to go see die Mannschaft play at the World Cup -- culminate when Germany face Hungary in the dramatic final in Berne.  

Jaime Roos with Edison Cavani (l) and Diego Forlan (r), 2010

Jaime Roos with Edison Cavani (l) and Diego Forlan (r), 2010

3 Millones | Famous Uruguayan musician Jaime Roos and his son Yamandu travel to South Africa to support Uruguay at the 2010 World Cup. Along the way, they hang out with Cavani and Forlan, and plenty of hijinks ensue.

Shooting for Socrates | A young boy’s football passion comes alive in tumultuous 1980s Belfast as Northern Ireland prepare to take on Brazil at the 1986 World Cup.

Bosnia in Our Hearts | Finally allowed to compete in international soccer, the Bosnian national team brings the entire diaspora together. In this short doc, young director Sixten Bjorkstrand follows three Bosnians from Finland on their journey to their nation's final 2014 World Cup qualifier in Lithuania.

The scoreboard after El Salvador's first World Cup match in 1982. 

The scoreboard after El Salvador's first World Cup match in 1982. 

One, The Story of a Goal | In 1982, as El Salvador descended into civil war, the nation's team shockingly qualified for the 1982 World Cup. It didn't go well. Politics and corruption won the day, and team lost 10-1 in their opening match -- to this day the worst defeat in World Cup history. But that World Cup -- that one goal -- still holds great importance and pride for Salvadorans.

The Two Escobars | Not just a great soccer film. A great film. The Zimbalist brothers' story of the Colombian national team at the 1994 World Cup, the team's connections to the infamous drug kingpin Pablo Escobar, and the murder of defender Andres Escobar in the wake of his own goal against the United States is a must for any soccer fan.

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Boniek et Platini | Winner of the 2018 Golden Whistle for short films, Jeremie Laurent's film evokes the politics and emotion of the 1982 World Cup in Spain. Two young boys in Poland recreate the action of their heroes until a pair of police officers confiscate their ball. Their only recourse is to challenge them to a match, with the ball -- and so much more -- at stake.

The 2018 Golden Whistle winners are...

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Since 2011, we have awarded the Golden Whistle to recognize the best soccer films screened at our New York festival, as determined by the K+S film panel. Previous winners include Soka Afrika (2011),  Club Frontera (2016), and Inside a Volcano (2017).

Over our first decade, only feature films were eligible for the Golden Whistle. This year, we have expanded the Golden Whistle program to include the best short film.

Here are this year's winners:

FEATURE FILM: Football for Better or Worsedirected by Inger Molin
SHORT FILM: Boniek et Platinidirected by Jeremie Laurent

The winners were announced on Thursday by our co-founders Rachel and Greg, exclusively on Compass Football.

Congratulations to the films and filmmakers!

Complete list of Golden Whistle Award winners:

K+S Filmmaker Interview: "Two Escobars" directors Zimbalist brothers on their new film "Nossa Chape"

The Zimbalist Brothers, Jeff and Michael, burst onto the soccer-film scene with their 2010 classic, The Two Escobars, which told the tragic story of Colombian footballer Andres Escobar's death in the aftermath of the 1994 World Cup. Eight years later, the brothers are back with Nossa Chape, which follows the Chapecoense community as it recovers from a plane crash that killed 71 people who were traveling to the Copa Sudamericana final. The film, produced by Fox Sports Films, had its world premiere at the 2018 South by Southwest festival. The Zimbalists talked with K+S about making both films, shooting a "soccer" movie, and their next project.

Nossa Chape screens at Kicking + Screening on Thursday, May 24. Get tickets here.


The story of the tragic Chapecoense airplane crash is pretty well known. How did that impact how you told Nossa Chape? What’s the key to making a story the viewer might already know feel fresh and new?
In our first conversations with the remaining members of the club and larger Chapecoense community only weeks after the crash, we explained how our intentions and our approach were different from the news media’s approach. We’ve both spent a big part of our lives in Colombia and Brazil, and as documentary filmmakers, we’ve always been drawn to stories in the world of sports that extend far beyond the game and into larger social and cultural themes.

In this case, we found it was the story of how a family or community responds to collective loss. And in particular, the questions of: “How do we best move forward?” “Is it by remembering and honoring the dead and keeping their memory alive at every chance we can, or by pushing forward with our own lives?” “And what would the deceased have wanted of us?”

The team agreed to work with us and give us unfettered access to all elements of the club and community. A big part of that came from understanding that we weren’t there for a quick news story, that we were going to be much more involved and tell a more complete story. There was also a sense that this could be a meaningful way to honor the dead by telling their story and the story of rebuilding the community.

As the filming and story evolved, we saw the larger Chapecoense family split into two groups, as well as those who were torn between them, like the three surviving players. In the end, we were as surprised as everyone to find, essentially, both camps agreeing that perhaps neither was right, and that the best approach was to stay unified, which ultimately was the value that was most important to those who died.

This was the narrative that really resonated with us and that felt universal in the sense that we all at some point face this question of how do we best grieve the loss of a loved one. And how do we do that in concert as a family.

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Were there any lessons you learned from making The Two Escobars that you could apply to Nossa Chape?
It's hard to divorce the learning experience of a previous film from any subsequent film, and The Two Escobars was certainly an influence on our approach to Nossa Chape. From the onset, we were interested in telling the story of the whole Chapecoense family, and that meant filming over time with many subjects—from the three survivors, to the other players from 2016 and new players from 2017, to the coach and administration, but also the larger family that included all the fans and Mayor and really the whole city.

Is there anything different about making a “soccer” film than another type of film?
As mentioned above, we’ve always been drawn to stories in the world of sports that extend into larger social and cultural themes. So we’ve never really thought of the films we’ve made as sports films. That said, sports are fascinating mirror of society and we do appreciate the built in stakes and structure that come with sports, where the audience can experience all of the emotional swells and big action of a classic sports narrative... but at the same time, identify with the human story at the core.

One of your next projects is Phenoms. What can you say about that series?
Phenoms is a multi-platform docu-series that we are producing and directing with Fox that follows young footballers from around the world in the lead up to the 2018 World Cup. We filmed with tens of players, all with hopes of making the World Cup team for their countries.

The World Cup is coming up. Who ya got?
There will always be a special place in our hearts for the Colombian national team, as well as of course Brazil. We’re looking forward to seeing some of the young footballers we filmed with for Phenoms playing in Russia!

K+S Author Interview: Simon Doonan on Newcastle's jerseys and WAGS at the World Cup

Bon vivant and Barneys creative ambassador-at-large Simon Doonan knows him some fashion. He also knows him some soccer. This summer, his two passions come together in his latest book, SOCCER STYLE: The Magic and Madness

The cultural man about town chatted with Kicking + Screening about the best uniforms, the cult of uniformity, and and why bad taste is actually good.

Doonan talks soccer style, along with Shawn Francis, Lucas Shanks, and Calen Carr, on Wednesday, May 23. Get your tickets here.

Photo: Joe Gaffney

Photo: Joe Gaffney


K+S: Let’s get right to it: What’s your all-time favorite football jersey from a style perspective? Why?

Doonan: I am an Op-Art freak so I have to go with Newcastle, which means I also dig Juventus. Those black and white vertical stripes are a visual delight. From the players point of view these shirts are primo. They make every guy on the field look heroic and fierce. #flattering

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I am also a fan of demented car-crash over-the-top shirts. I cheered when Norwich had their "egg and cress” moment. I loved the Arsenal “bruised banana” shirt in the 90’s. Not every shirt needs to be tasteful. As Diana Vreeland said, “Bad taste is a good thing. It’s like a nice splash of paprika."

K+S: Why do European footballers look so damn stylish all the time?

Doonan: European lads see vanity as a life-affirming thing, and they have a much easier relationship with designer clothing. The Brits still worry that spending too much time in Gucci is going to compromise their masculinity and cause their willies to fall off.

K+S: What’s your favorite football film? Why?

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Doonan: I love an indie doc, but the mega documentary about Cristiano Ronaldo was revealing and quite melancholy. It offered a haunting glimpse into the psyche of a dude who is globally recognized but strangely unknowable.

K+S: The World Cup is coming up this summer. You ya got?

Doonan: A few months back Gareth Southgate announced that the WAGS would be welcome in Russia. They have been absent since the crazy days in Baden Baden back in 2006, when they generated hilarious press and major distraction. I am ready for a good WAG moment. It would take the edge off the anxious Russia situation… or maybe add to it.